Unholy Grail Part 2: A Shot At Bourbon

This is the coat of arms of the French House of Bourbon

The House of Bourbon  is a European royal house of French origin, a branch of the Capetian dynasty /kəˈpiːʃ(i)ən/. Bourbon kings first ruled Navarre and France in the 16th century. By the 18th century, members of the Bourbon dynasty also held thrones in Spain, Naples, Sicily, and Parma. Spain and Luxembourg currently have Bourbon monarchs.

When the Bourbons inherited the strongest claim to the Spanish throne, the claim was passed to a cadet who became Philip V of Spain. The strict separation of the French and Spanish thrones was formalized in the Treaty of Utrecht in 1714, and similar arrangements later kept the Spanish throne separate from those of the Two Sicilies and Parma. The Spanish Bourbons (in Spanish, the name is spelled Borbón) have been overthrown and restored several times, reigning 1700–1808, 1813–1868, 1875–1931, and from 1975 to the present day. 

All members of the House of Bourbon and its cadet branches alive today are direct agnatic descendants of Henry IV. source: House of Bourbon

I told you before that I was never interested much in this subject until I heard about king Juan Carlos abdicating his Spanish throne. When I visited the wiki page of his son, Felipe, I found that someone had vandalized the page and replaced Felipe's image with an image of Felipe's ancestor, Felipe V, the first Bourbon king of Spain. This is the image that I showed you in A New King For Spain with Felipe V painted displaying the Marrano (secret Jew) hand sign:

The first thing that you should notice about the Bourbon coat of arms is the fleur-de-lis. I count at least 100 of them:

I contend that the fleur-de-lis and the Marrano hand sign are the same symbol:

The fleur-de-lis has been the ubiquitous symbol of France for centuries. It is purported to be a lily flower, but there are other theories as to its meaning and origin:

The fleur-de-lis, a stylized iris, first occurs in its modern use as the emblem of the House of Capet. The fleur-de-lis has been associated with France as Louis VII adopted it as a symbol in the 12th Century. source: fleur-de-lis

Fleur de lis translated from French to English means "lily flower" however, even when presented with this people still say that the fleur de lis has other forms which it should be called: a two bladed axe, an arrowhead, a trident or is has been suggested that it is not a "lily flower" but in fact an Iris from Egypt. source: Harry Williams, The Shadowed Truth (p. 45)

There seems to be some agreement that the fleur-de-lis is an iris rather than a lily, so let's compare:

Definitely looks more like an iris than a lily to me and the iris certainly fits into everything else we have been talking about as it relates to the Illuminati. The iris is just a cunning obfuscation of the all-seeing-eye. The word iris is a Greek word that means "rainbow" and Lucifer is the Rainbow:

iridium (n.)1804, Modern Latin, coined by its discoverer, English chemist Smithson Tennant (1761-1815) from Greek iris (genitive iridos) "rainbow;" so called for "the striking variety of colours which it gives while dissolving in marine acid" [Tennant] source

Another point about the fleur-de-lis is that it is definitely a trident and that leads us to yet another trident symbol that has been in our faces very much lately, the Ukrainian tryzub:

Ukrainian coat of arms flanked by fleurs-de-lis

From trident to falcon there is no sure and definite interpretation of the symbol; however, most historians agree that it most probably depicts a stylized falcon which according to the Slavic mythology was the Primary god (Pershoboh). In Christianity, a descending falcon, just as dove (with head downwards, as in case of Ukraine´s trident) also symbolizes the Holy Spirit. This is the most likely explanation, as the symbol appears during the years surrounding the Christianization, and is furthermore identical to modern representations of the descending falcon. Depictions of a flying falcon with a cross above its head have been found in Old Ladoga, the first seat of Kievan Rurik dynasty, of Scandinavian lineage. Such a falcon, along with a cross are also featured on the coins of Olaf Guthfrithsson, Viking konung. Falconry for centuries has been a royal sport in Europe. The Gyrfalcon (known also as Norwegian falcon) was considered a royal bird and is mentioned (ukr.: кречет) in one of the earliest epics of Ruthenia, the 12th century poem The Tale of Igor's Campaign. Being a highly prized hunting bird of Kings and Emperors in the Middle Ages, the gyrfalcon is also the traditional symbol of Iceland, the land of Vikings. Every year, the Danish government sent a ship to Iceland to bring back gyrfalcons. A white gyrfalcon on a blue field was Iceland's coat of arms from 1903 until 1919, being depicted on the Icelandic royal flag. The Order of the Falcon remains as one of the highest presidential awards in Viking Iceland. It also features on the old Icelandic 5 krona banknote. Due to its rarity and the difficulties involved in obtaining it, in European falconry the Gyrfalcon was reserved for kings and nobles; very rarely was a man of lesser rank seen with a Gyrfalcon on his forearm. In 2011 the market value of one gyrfalcon is estimated at 30,000 - 50,000 USD. The descending "trident" form also represents the hunting action of the gyrfalcon, falling upon its prey. The interwoven spiral style of the Ukraine trident (stylized flying falcon) resembles the Jelling style, the Scandinavian animal art during the 10th century.  source

The Ukrainian tryzub has its origins with the Khazarian tamgha:

The Khazarian trident, a possible tamga symbol of the Khazar kagans, was adopted by the Rus rulers Svyatoslav and Vladimir for use on coins and seals. According to Robin MIlner-Gulland, the trident was an "authority symbol" in medieval times. Pritsak wrote that the trident represented the qut (charisma) of the Khazarian kagan and how it brought forth "victory and glory." source: Kevin Alan Brook, The Jews of Khazaria (p. 154)

The fleur-de-lis has origins that go back much further than even the Khazarian empire - all the way to ancient Egypt and Babylon:

The ancient Egyptians revered the iris for its exotic beauty. When 15th century BCE paraoh Thutmose III of Egypt conquered Syria, where irises grew profusely, he vowed to bring back the iris to Egypt. Depictions of the flower have been found in many Egyptian palaces, including on the Sphinx, at the Temple of Amon in Karnak, on a bas-relief from the 18th Egyptian dynasty, and in Egyptian gardens. source: Encyclopedia of Cultivated Plants: From Acacia to Zinnia [3 Volumes], edited by Christopher Cumo (p. 532)

To the ancient Egyptians the iris was also a symbol of life and resurrection, and was associated with their god Osiris and his son Horus. Osiris was the first legendary pharaoh, who was killed and was then made immortal. After his death, his earthly duties were transferred to Horus, who later also acquired powers for regeneration. A stylized iris appears on the brows of Egyptian sphynx statues, which are said to be representations of Horus. source: John Lust, The Herb Book: The Most Complete Catalog of Herbs Ever Published (p. 567)

The Ukrainian tryzub symbolized the hawk, which represents the Egyptian god Horus and now we have still another tie-in to Horus with the fleur-de-lis. Perhaps they are all the same thing.

ASSYRIAN FLEUR DE LIS

BABYLONIAN FLEUR DE LIS

When the Jews were held captive in Egypt they would have seen the iris symbols on the Egyptian monuments and great edifices. When they were carried away to Babylon they would have seen them there too. The fleur-de-lis has always been a symbol of the elite and the power class. 

As the Jewish diaspora migrated into southern Europe they brought this symbol of power with them. As these Jews became integrated into the noble houses of these new lands the fleur-de-lis became integrated into the standards and coats of arms of the powers that then were:

Charlemagne's flag

Charlemagne's flag was another symbol of Christian iconography: the fleu-de-lis, a lily associated with baptism and the Virgin Mary. source:  Strobe Talbott , The Great Experiment..., (p.69)

Charlemagne claimed to be descended from king David. In  Part 1 we learned that Charlemagne sent for Theuderic, a fellow Jew claimant, and made him king of the Jews in Septimania:

Theodoric I of Septimania was received by Charlemagne and was given the title "King of the Jews". His ancestry is possibly one of the greatest lineages of antiquity. Theodoric claimed (or others do for him) descent not only from the Merovingian Kings, but lineal descent from King David himself. Both the king and the Pope acknowledged this pedigree.  source: Theodoric King of the Jews

One historian of the Caroligian era, P. Munz, writing long before any disclosure of the Rex Deus traditions, asserted that Charlemagne claimed succession from the Biblical kings of Israel. Furthermore, Munz concludes that Charlemagne deliberately engineered the situation in Septimania in order to arrange intermarriage between his family and that of the nasi [such as Theodoric], who also descended from the Davidic line.  source: Tim Wallace-Murphy & Marilyn Hopkins, Custodians Of Truth: The Continuance Of Rex Deus (pps. 104, 105)

The Chartres window comprises eight square central panels, with seven rectangular ones on either side, separated, as is usual in 12th century windows with no stone tracery, by heavy iron armatures. In the lowest central panel reclines the figure of Jesse, with the tree rising from his middle. In each of the seven sections it branches out into a regular pattern of scrolling branches, each bearing a bunch of leaves that take on the heraldic form of the Fleur de Lys, very common in French stained glass. source

An analysis of the Tree of Jesse window (ca. 1144) executed for Suger at Saint-Denis allows us to understand the significance Suger attributed to the Lily. The window conforms to the biblical text of Isaiah 11:1 ("And there shall come forth a rod out of the stem of Jesse, and a branch shall grow out of his roots") and represents the genealogy of Christ, with the sleeping Jesse depicted at the bottom of the tree, three Old testament kings and the Virgin above, and, at the very top, Christ. In this iconographic scheme the kings of Israel appear for the first time, and, equally significant and novel, the tree is replaced by the superimposition of large fleurs -de-lis, each sheltering a geneaological figure. The replacement of the tree with the fleur-de-lis, from which the christological and marian significance derives, takes on new meaning when seen in relation to the depiction of the kings of Israel. source: Abbot Suger and Saint-Denis: A Symposium,  edited by Paula Lieber Gerson (p. 100)

The ubiquity of the fleur-de-lis and the tryzub type symbols is evidence that the Jews have been very industrious in mingling themselves into the great houses of Europe since they were driven out of the Holy Land 2000 years ago by the legions of Rome. The fleur-de-lis is a trident which points to an affinity for the sea through Poseidon and it is also a falcon - a symbol of Horus. 

Foremost, the fleur-de-lis is a sexual symbol of the Grail deception. The deception of the Holy Grail comes complete with a shadowy secret society tasked with protection of the bloodline:

The Prieuré de Sion, translated from French as Priory of Sion, is a name given to multiple groups, both real and fictitious. The most controversial is a fringe fraternal organisation, founded and dissolved in France in 1956 (abiding by the 1901 French Law of Associations) by Pierre Plantard. In the 1960s, Plantard created a fictitious history for that organization, describing it as a secret society founded by Godfrey of Bouillon on Mount Zion in the Kingdom of Jerusalem in 1099, conflating it with a genuine historical monastic order, the Abbey of Our Lady of Mount Zion. In Plantard's version, the priory was devoted to installing a secret bloodline of the Merovingian dynasty on the thrones of France and the rest of Europe. This myth was expanded upon and popularised by the 1982 pseudohistorical book The Holy Blood and the Holy Grail and later claimed as factual in the preface of the 2003 novel The Da Vinci Code. source

The Prieuré de Sion and its subsequent revelation as a hoax are part of the Grail deception. The Da Vinci Code is a comical attempt to redefine terms, such as Illuminati, in order to delude the public. The punchline is that it worked. The Illuminati created the myth of the Prieuré de Sion and wrapped it around the truth. There actually is a shadowy group of synagogue of Satan Jews whose goal is to enthrone Antichrist, but once the myth of the Prieuré de Sion was wrapped around this truth and then the lie was deliberately exposed and viciously lampooned the entire mess along with the truth was thoroughly relegated to the realm of cartoon.With the dawn of the information age at hand the Illuminati found it necessary to dilute the truth with enough silliness to make it unpalatable to most truth seekers. This worked on the vast majority of people and the rugged few that persisted in seeking out the truth ended up looking like this guy:

Yet the fact remains that the symbol of the Prieuré de Sion is the fleur-de-lis and it is this symbol that directs us to the very real conspiracy to install Antichrist as King of Jerusalem:

I happened upon this very interesting very interesting fleur-de-lis that adorns the crown of a phoenix on the January 9, 1988 issue of The Economist:

This image is reminiscent of the flag of Charlemagne. Note that the bird itself is similar to the form and fashion of the fleur-de-lis. The coin on his chest has a lot to say. First we see the number 10 which is the "X" of Osiris. To the left of the number 10 is the word "TEN" which renders "XX." "XX" is symbolic of Saturn. Fortunately, they confirmed this image to be all about Saturn with the monetary symbol in the center:

According to the date on the coin the world currency rises from the ashes of the currencies of the world in the year 2018.Seems about right.

Just like the Ukrainian tryzub alludes to the diving dove, so too does the fleur-de-lis. The designer of the Bourbon coat of arms was kind enough to confirm this fact with a non-subtle pointer to the Grail deception at the bottom of the image:

 

This dove is the holy spirit of satanism, Lucifer:

The intellectual Lucifer is the spirit of intelligence and love; it is the Paraclete, it is the Holy Spirit, and the physical Lucifer is the great agent of Universal Magnetism. source: Eliphas Levi, Paradoxes of the Highest Science (p. 90)

Many organizations all over the earth are working to bring about the reign of Antichrist. Many individuals  involved in this conspiracy have no idea what they have been building or whom they are serving. Virtually all religious organizations are a part of this great conspiracy. Do not think that your church is safe just because this particular symbol does not represent your church:

The trail of Bourbon, the fleur-de-lis and Antichrist leads us next to Spain and in Part 3 we shall go even further.

Spanish coat of arms